The Green Children of Woolpit

The Green Children of Woolpit#

Originally prepared for the Island Storytellers “Green” show at Ventnor Fringe, 2023.

I don’t know if any of you are familiar with James Stephens’ fabulous Irish Fairy Tales, which I have in the form of a green covered paperback book? It retells many old Irish legends that date back between 500 and 1000 years when they were first written down, although many of them also continued going strong in the oral tradition. One of them, Mongan’s Frenzy, a tale that is too long for me to tell in its entirety just here, tells in part of a campaign that Mongan, a King of Ireland, waged on the King of Lochlann, the King of the men of the North, of the Norsemen, of the Vikings. One battle in particular did not go well for Mongan, a battle in which the King of Lochlann released a terrible, terrible weapon, a truly horrific thing, against the Irishmen; a weapon so effective that Mongan lost many of his men that day; a weapon the like of which we have not seen or heard of since, so devastating was it: a flock of venomous sheep. Sheep so vicious that the Irishmen could only escape them by climbing trees. And then wait for help to come.

It’s true… It really happened…

Now, that is not the story I’m going to tell here, but I was reminded of it when I came across this story. A story from the town of Woolpit, in Suffolk. Now when I first heard that name — Woolpit — I wondered where it had come from. I wondered if, perhaps, in times past, the King of Lochlann had invaded Suffolk, somewhere along the windswept shores of East Anglia, and brought with him a flock of venomous sheep, like some sort of Dark Ages tank division, to ravage the Suffolk plains. And that perhaps the good people of one of the villages thereabouts, not having any trees to climb, had hit upon the cunning plan of digging pits that the venomous sheep might fall into, like ancient tank traps.

Unfortunately, it seems that is not the origin of the name. Although it’s not far off.

Note

As far as far local Woolpit historians would have you believe, named after Ulfketel (or Ulfyctel), counsellor to Aithelred the Unready, and Lord of the Eastern Angles, Ulfketel, who had helped defend East Anglia against Danish attack in the early 11th century. Ulfketel, a name of Scandinavian origin: from ulf, meaning wolf, and ketel: trap, though I have elsewhere seen it translated as helmet, which might give rise to an Old English name such as Wulfhelm, or cauldron: Wolf’s pot. There are so many ways you could take this!

At the time, so legend has it, the town was renowned for its wolf pits: deep pits dug on the outskirts of the town, lined with stone, baited with something meaty, a tasty piece of dead cow, perhaps, then covered with branches. Attracted by the smell of fresh meat, a wolf would approach, then fall into the pit, and be unable to climb out because of the steep sides.

Now, you may be thinking that none of that has anything to do with “green”. But you’d be wrong. Because once, long ago, in the county of Suffolk, in the town of Woolpit, a strange thing happened one harvest time. The folk were out in the fields, gathering the harvest, when they saw two young children walking towards them, two young children, a boy an a girl, not from those parts. No-one recognised them; no-one could understand the strange language they spoke; no-one had seen the like of the strange, if ragged, clothes they wore; and no-one could take their eyes off the children’s green skin.

The children had been tending their father’s flock. The light was, as it always was, a perpetual twilight. There was no sun to give any indication of how long they had been at their task — their bellies would tell them that - hunger would tell them when it was time to return home. Across the wide river, a world away: a land of light. In the distance, the children heard something, a noise not unlike the sound of bells — church bells — ringing. It led them to a cavern; they followed the sound; they followed the sound deeper, and deeper, into the cavern. And then, as they were about to come across the source of the sound, as they turned a corner, they were overcome by a light, a bright light, a light brighter then anything they had seen before. It dazzled them, they covered their eyes, they stumbled their way outside, not knowing where they were, what the source of this strange light was. By the time they had regained their senses, they could hear voices, strange voices, speech the like of which they had never heard before. And they saw people, dressed strangely; people, of the strangest pale cream colour. The children were led away, led into a strange house. By now, they were hungry. Really hungry. The people offered them … offered them something, gesturing to their mouths as if to eat; but it looked like no food they had ever eaten before. The days went by. The children became hungrier, and hungrier still. One day, when they were outside, in the pale light they were most comfortable with, before the great bright light that hurt their eyes so, appeared in the sky, they saw one of the strangers carrying a basket of green stalks - food! They grabbed several from the basket, broke them open. But there was no nurturing pulse inside them. The children cried. The stranger looked at them, picked one of the strange pods that hung from the sides of the stalk, and broke it open: inside, in the soft white down that filled the pod, a row of beans. Beans! The children grabbed them greedily: food, at last. For several days, they ate nothing else. But even so, the boy, the younger of the two, grew sick, grew sick with melancholy. Some ritual was performed over them by one of the strangers, using another, even stranger, language; but they boy sickened further, and died. The girl, however, started to thrive, began to accept the strange foods the strange people ate. Her green colour began to fade, and she came to look like them. She started to learn their language. She started to flirt with their boys. She developed something of a reputation. And she told them this story, that I have just told to you.

So, if you do ever happen to find yourself in the county of Suffolk, in the town of Woolpit, look out for the village sign: a silhouette of a Wolf, of the Church, a pilgrim site of old, and two small children, hand in hand. And that is the end of my tale.

The History of the Tale#

There are two accounts of the tale from the decades following the events, one by Ralph of Coggeshall, the other by William of Newburgh.

A translation is provided in Thomas Keightley’s The Fairy Mythology of 1850:

A slightly later, but still “near contemporary” (within a couple of generations) retelling of the tale is also provided by William of Newburgh:

The preface to that work provides some background to William of Newburgh’s History:

We can also contrast William of Newburgh’s account with Keightley’s summary, which immediately followed his translation of Ralph of Coggeshall: