Phaeton

Phaeton#

I first heard this tale told in modern form, in the round, in a performance of Helios, by Wright and Granger, at Ventnor Exchange, in Spring 2024. When we picked the theme of “Elemental Tales” for our ‘Tis Tales show at Ventnor Fringe, 2024, it seemed to be an appropriate story to tell in that context.

The gist of the tale is as follows:

Phaethon,

A narrative version appears in Bulfinch’s “Age of Fable, or, Stories of gods and heroes” of 1855.

Pronunciation note

There are various spellings and accentuations of our lead character’s name (Phaethon, Phaëthon, Phaeton, etc.) and examples of different forms of pronunciation of it. After chatting to several people (Elton Barker, Paul Cowdell) I think I have settled on Phi-(uh)-thon.

Bulfinch’s version is a reasonably close retelling of Ovid’s Metamorphoses, introduced at the end of Book 1 and then continuing at the start of Book II.

The set-up derives from Phaeton boasting of his immortal parentage to Epaphus, in a tale that also tells of Epaphus’ mother, Io’s, encounter with his immortal father, Zeus (Jupiter).

In Nonnus’ Dionysiaca, we get additional colour regarding the birth of CLymene, Phaethon’s mother, as well as his childhood games:

In a modern translation by A. D. Melville (2004), the horses are named *”Sol [Helios], Aethon (Blaze), Eous (Dawn), Pyrois (Fire) and Phlegon (Flame)”.

It is perhaps worth noting that Clymene’s sons seemed to have a thing about fire. Prometheus was another of her sons, for example, but his tale is a tale for another day.